[DECLARATION OF A QUORUM AND CALL TO ORDER]
[00:00:07]
>> WE HAVE A PRETTY SHORT AGENDA THIS EVENING BECAUSE THIS IS ON OUR ALTERNATE MONTHS.
WE'RE ONLY MEETING BECAUSE WE HAVE A PROJECT THAT IS REACHING ITS END OR CONCLUSION.
HOWEVER, BECAUSE WE MET LAST MONTH, I WANTED TO GO AHEAD AND PUT THE MINUTES FOR LAST MONTH ON THE AGENDA AS WELL, SO WE ONLY HAVE TWO ITEMS THIS EVENING.
[1. Approve the minutes from Regular Called meeting on June 28, 2021.]
FIRST ONE TO APPROVE THE MINUTES FROM REGULAR CALLED MEETING ON JUNE 28TH.>> [NOISE] I RECOMMEND THAT WE ACCEPT THE MINUTES OF OUR JUNE 28TH MEETING.
>> IS THERE ANY FURTHER DISCUSSION? ALL THOSE IN FAVOR SAY AYE.
[2. Discussion and possible action on final Gateway Master Plan presented by Clark Condon.]
POSSIBLE ACTION ON THE FINAL GATEWAY MASTER PLAN PRESENTED BY CARL ICAHN.WE DO HAVE BRANDON [INAUDIBLE] HERE IN JASON MILLER'S ABSENCE AND ALSO SUPPORT STAFF TO GO OVER THE DESIGN.
SOME OF THE COMMENTS FROM THE LAST TOWN HALL MEETING THAT WE HAD, REVOLVED AROUND BACKLIGHTING AND DIFFERENT COLORS.
SO YOU'RE GOING TO SEE TWO DIFFERENT CONCEPTS THAT WE'LL NEED TO ACTUALLY MAKE A DECISION ON.
YOUR RECOMMENDATION WILL BE THE RECOMMENDATION THAT IS TAKEN TO CITY COUNCIL ON AUGUST 10TH, AND SO WE'D REALLY LIKE TO WHITTLE DOWN OUT OF THESE SIGN FAMILY, WHICH COLORS WE'RE WANTING TO GO WITH.
YOU'LL SEE PRIMARILY A COLOR SIGN FAMILY, AND WE'LL REVIEW SOME OF THE SPECIFICS REVOLVED AROUND IT AS WELL AS A SIGN FAMILY THAT HAS BLACK LETTERING WITH PURPLE AS THE BACK LIGHTING.
WE'LL GO INTO MORE DETAIL, BUT I'LL GO AHEAD AND TURN IT OVER TO BRANDON FOR THE PRESENTATION.
>> [OVERLAPPING] SO SORRY BRANDON, YOU'LL HAVE TO COME TO THE MIC FOR THE ACTUAL PRESENTATION.
>> AS MEGAN MENTIONED, MY NAME IS BRANDON [INAUDIBLE], WE HAVE MATTHEW [INAUDIBLE] FROM MINOR DESIGN, THAT'S GOING TO ASSIST ME TODAY.
THIS IS OUR CITY BINGHAMTON GATEWAYS AND IDENTITY MASTERPLAN BOOKLET.
THIS IS OUR FINAL PRESENTATION THAT HAS EVERYTHING WE'VE EVER GONE OVER IN HERE.
SO A LOT OF THE STUFF YOU'VE ALREADY SEEN BEFORE, BUT WE CAN GO THROUGH IT IF YOU HAVE ANY QUESTIONS, LET ME KNOW.
WE'LL START OFF WITH THE INTRODUCTION.
THIS SLIDE RIGHT HERE IS BASICALLY JUST A BACKDROP INFORMATION ON THE HISTORY OF ANGLETON, WHY ANGLETON IS DOING THIS AND THE BENEFITS OF DOING THIS MOVING FORWARD.
[NOISE] ECONOMIC GROWTH OBVIOUSLY IS A BIG THING HAPPENING DOWN HERE, SO THIS IS A LITTLE BACKDROP OF WHERE WE WERE, AND WHERE WE'RE GOING TO.
ALONG WITH A PROCESS AND TIMELINE, YOU'LL SEE SOME OF THESE OLDER IMAGES HERE, ESPECIALLY ON THE BOTTOM RIGHT IS WHERE WE STARTED MONTHS AGO WITH A FIRST FULL-BLOWN 12 OPTIONS THAT WE HAD.
THIS SLIDE JUST BACKTRACKS ON WHERE WE WERE, THE DISCUSSIONS WE HAD, AND WHERE WE'RE MOVING FORWARD.
OBVIOUSLY, THIS SLIDE RIGHT HERE FROM MAY 2021, THIS IS WHERE WE HAD OUR BIG TOWN HALL TYPE MEETING WHERE WE HAD SOME VOTING DONE.
THIS VERSION WAS THE CLEAR FRONT RUNNER, SO WHERE WE TAKE THIS AND MOVING IT FORWARD NOW, THAT YOU'LL SEE LATER IN THE PRESENTATION.
EXISTING CONDITIONS, YOU'VE SEEN THIS BEFORE, SO WE STARTED OFF WITH WHAT DOES ANGLETON HAVE RIGHT NOW, THAT WE COULD TAKE A LOOK AT, GET THE HISTORY BEHIND AND HOW WE CAN GET A THEME GOING MOVING FORWARD.
THIS SLIDE RIGHT HERE REPRESENTS THE EXISTING HEART MONUMENTS THAT YOU HAVE AROUND TOWN, AND THE BANNER PROGRAM THAT YOU HAVE CLOSER TO THE DOWNTOWN DISTRICT AREA.
AGAIN, THE HISTORY OF ANGLETON, THE MATERIALS BEING USED, HOW CAN WE BRING IN ANGLETON TO MATCH WHAT WE WANT TO DO WITH THESE PROPOSED SIGNAGES AND GATEWAYS, MOVING FORWARD.
THIS IS WHERE WE GOT OUR INSPIRATION.
THEN AGAIN, A LITTLE BIT MORE DIVE INTO THE DETAIL OF WHERE THESE THINGS ARE, WHAT THEY ARE, AND HOW WE CAN USE THIS TO INSPIRE US MOVING FORWARD.
THIS SLIDE JUST SHOWS THE EXACT LOCATIONS OF EVERYTHING YOU HAVE RIGHT NOW, THE BANNER PROGRAM, THE HEARTS THAT YOU HAVE, THE INFORMATIONAL HEART, AS WELL AS THE GIANT ONE DOWNTOWN.
THEN WE GET INTO OUR CORPORATE PLANNING MATERIALITY,
[00:05:01]
YOU'VE SEEN THIS BEFORE, THIS DARK COLORS OR FONT, THE NEW TAGLINE, THE HEART OF BRAZORIA COUNTY, JUST A LITTLE BIT MORE HISTORY ON THAT.THEN WE GET INTO MORE DETAIL NOW THAT WE'VE DEVELOPED THESE SIGNS MOVING FORWARD AFTER OUR LAST MEETING IN MAY, AND WHERE ARE WE GOING TO PULL THIS IMAGERY AND THIS DETAIL AND THESE MATERIALS FROM.
OBVIOUSLY THE STONE ON THE SECOND ROW, THE FIRST PICTURE STONE, LOOKING AT PARKS AROUND TOWN WOULD HAVE BEEN OUT THERE WHAT SETTING THAT TONE MOVING FORWARD, NEW THEME.
WE LOOKED AT LAKESIDE PARK FOR INSTANCE, LOOK AT THE MATERIAL THAT THEY WERE USING AND DECIDED THAT, IT'S A GOOD FIT IF IT SET NET THEME MOVING FORWARD, YOU START LOOKING AT THAT.
THE STONE RIGHT THERE'S FROM LAKESIDE PARK ALONG WITH THE PAINTED METAL, WHICH IS USED ON THE PAVILION, GIVEN THAT FEEL THAT IT FIT EVERYWHERE ELSE IN TOWN.
MOVING FORWARD, OBVIOUSLY THE PAINTED METAL, PURPLE BEING A STRONG COLOR HERE IN ANGLETON, WE GOT TO SEE HOW WE CAN DO THAT MOVING FORWARD.
THEN EXAMPLES ON THE BOTTOM ARE BACKLIT LIGHTING THAT WE'VE TALKED ABOUT THAT YOU'LL SEE MOVING FORWARD ON OUR PRESENTATION, AND THEN THE BANNER PROGRAM THAT WE HAVE DONE ELSEWHERE, AND HOW THAT ALL PLAYS INTO WHAT ANGLETON WANTS TO DO.
IT GOT US TO OUR VERSION THAT WAS VOTED ON AND HAD THE MOST VOTES.
BASED OFF THE COMMENTS WE GOT FROM THE LAST MEETING, WE TALKED ABOUT THE LETTERING, PERHAPS MAY NOT BE PURPLE AND USE BLACK.
ON THE VERY FIRST SIGN, SIGN A AND THEN SIGN E, THE LETTERS ARE BLACK.
NOW THE SIGN A WILL HAVE THAT BACKLIT WITH A PURPLE LIGHT, THAT WAY IT DOES SHINE PURPLE, BUT THE LETTERS WOULD BE BLACK AND FILL THE LAST.
EVERYTHING ELSE WE ADDED, WE CHANGED THE LIGHT POLE TO BLACK TO MATCH WHAT YOU HAVE ALREADY HAVE IN THE CITY.
WE KEEP THAT THEME THE SAME, BUT UPGRADE THE BANNERS.
NOW, SIGN D AND F, THIS IS A PRINTED VINYL LETTERING, CORRECT ME IF I'M WRONG, IS THAT RIGHT? YEAH. THESE WE ACTUALLY LEFT PURPLE BECAUSE IT'S GOING TO LAST LONGER VINYL PRINTED, IT WON'T BE PAINTED METAL, SO IT'LL LAST YOU A LITTLE LONGER.
HOWEVER, THESE WILL NOT BE LIT, THE CITY HALL SIGNAGE AT YOUR FACILITIES AND YOUR PARKS, THOSE WILL HAVE AN UP LIGHT, AND A LIGHTING SYSTEM THAT WE CAN MOVE FORWARD WITH DEPENDING ON HOW WE WANT TO DO THAT, BUT THOSE WILL ALSO BE LIT.
>> YOU CAN TALK A LITTLE BIT ABOUT THE PURPLE [INAUDIBLE]
>> THE THIRD FROM THE LEFT, THE SKINNY IMAGE, THE SIDE IMAGE.
SINCE WE GOT RID OF THE BLACK OR THE PURPLE LETTERING, WE WANTED TO STILL TIE THAT PURPLE COLOR INTO THE SIGNAGE.
THE SIGN [NOISE] IN THE SIDE VIEW RIGHT THERE IS ACTUALLY A PAINTED METAL PURPLE.
IT CAN BE [NOISE] CHANGED OUT FOR BACKLIT PURPLE THAT WAY IT'S NOT METAL PAINTED PURPLE, BUT WE WANTED TO KEEP THAT THERE.
DARKER COLORS TEND TO FADE OVER TIME, BUT THIS BEING A SMALL PIECE, IT MAY NOT BE AS DRASTIC AS [NOISE] SOME OF THE HIGHWAYS YOU SEE WHEN THEY PAINT IT BLUE, AND WITHIN A YEAR ALL THAT BLUE IS A VERY DIM BLUE COLOR.
THAT'S WHERE WE WANTED TO KEEP A LITTLE BIT OF PURPLE.
AGAIN, WE CAN PLAY WITH THIS MOVING FORWARD IF WE WANT TO CHANGE THAT, BUT RIGHT NOW IT'S A PAINTED METAL FOR THE SIDE.
EVERYTHING ELSE, THE LETTERING IS BLACK, AND THEN OBVIOUSLY OUR STONE CONCEPTS.
NOW WHAT MEGAN HAD MENTIONED EARLIER THERE'S TWO OPTIONS HERE.
WE LEFT THE PURPLE IN HERE JUST TO REMIND YOU THAT THAT'S THE ROUTE WE WERE GOING, IT IS PURPLE LETTERING.
WE CAN STILL DO PURPLE BACKLIT AS WELL.
AS A DESIGN TEAM, WE DISCUSSED THIS, WE LOOKED AT MULTIPLE COLORS FOR THE LETTERS, TO PRESENT TO YOU.
WE LOOKED AT A DARK GRAY, BUT THEN NOTICED THAT A DARK GRAY WOULD HAVE TO PROBABLY CHANGED ALL THE OTHER METAL TO THAT SAME COLOR, AND WE'RE GETTING AWAY FROM THAT LOOK AND FEEL WE'RE GOING FOR.
WE STILL WANTED TO SHOW THE PURPLE LETTERING TO SAY THE PURPLE REALLY DOES WORK.
WE CAN GO BLACK, NOT A PROBLEM, BUT THE PURPLE REALLY SHINES ON THIS EXAMPLE.
AGAIN, THE PAINTED METAL ON THAT SIDE VIEW, IT CAN CHANGE BUT RIGHT NOW WE'RE STILL SHOWING PURPLE JUST IN CASE WE DO GO TO THAT BLACK LETTERING.
BETWEEN THIS OPTION AND THE PREVIOUS OPTION, THE ONLY DIFFERENCE IS THE ANGLETON IS BLACK VERSUS PURPLE,
[00:10:01]
AND THE CITY HALL WOULD BE BLACK VERSUS PURPLE.>> AND THE BLACK WOULD BE THE PURPLE LIGHTING.
>> YES. OTHER THAN THAT THERE'S ABSOLUTELY NO DIFFERENCE BETWEEN THESE TWO.
THAT WOULD BE THE ONLY THING WE WOULD NEED ANY FEEDBACK FROM THE GROUP ON.
AGAIN, WE'VE DONE BOTH, WE CAN GO EITHER DIRECTION.
>> HERE, WE'RE STILL TALKING ABOUT MATERIALITY.
THIS IS WHERE WE TAKE OUR MATERIALS BOARD THAT PREVIOUS SLIDE AND START PUTTING THEM INTO ACTION WITH THE SIGNAGE HERE.
THE NEXT IMAGE IS OUR PLANT PALETTE.
WE START LOOKING AT WHERE THE SIGNS ARE GOING TO BE PUT AND WHAT'S GOING TO BE AROUND THEM AND HOW WE TIE IN THE LANDSCAPE FROM AROUND TOWN.
THIS PLANT PALETTE IS VERY SIMILAR TO LAKESIDE PARK AS WE HAVE DONE.
WE HAVE TAKEN SOME OF THE PLANT MATERIAL OUT THAT WAY IT FITS A MORE HIGHWAY ROADWAY TYPE SCALE THAN A PARK WOULD.
WE NEED A LITTLE BIT MORE BULLETPROOF PLANT MATERIAL, A LARGER PLANT MATERIAL BECAUSE THE SCALE IS GOING TO BE DIFFERENT AS WELL.
THAT'S OUR TREES AND WE GOT SHRUBS AND GROUND COVER AND OUR ORNAMENTAL GRASSES, AGAIN, ALMOST IDENTICAL TO LAKESIDE PARK MINUS A FEW THINGS.
ALL OF THIS GOING AND WHAT WE'RE GOING TO DO AROUND EACH ONE.
OBVIOUSLY, AGAIN, THIS IS OUR BLACK LETTERING OPTION, AND THEN OUR PURPLE LETTERING OPTION.
FROM THERE, WE DIVE INTO THE CITY AND OUR SURROUNDING, START LOOKING AT WHERE THESE LARGE ONE'S GOING TO GO, WHERE THE SMALL ONE'S GOING TO GO.
THIS SLIDE RIGHT HERE IS FOR THE LARGE-SCALE VEHICULAR LOCATIONS.
IT'S GOING TO BE YOUR SIGN A AND YOUR B, YOUR 20-FOOT MONUMENT AND YOUR 40-FOOT MONUMENT.
WE LOOKED AT MAJOR INTERSECTIONS COMING INTO THE CITY, GOING OUT OF THE CITY.
OBVIOUSLY 288 IS GOING TO BE A BIG ENTRY POINT BOTH SOUTHBOUND AND NORTHBOUND.
WE LOOKED AT PUTTING YOUR BIG ONES AT THAT INTERSECTION TO REALLY GET PEOPLE OFF THE HIGHWAY INTO ANGLETON.
THEN WE FOLLOW IT UP WITH 35, OBVIOUSLY THE BYPASS, PEOPLE COMING IN FROM DIFFERENT PARTS THAT AREN'T ON 288, WE WANT TO GAUGE EVERYBODY WE WANT TO GET EVERYBODY.
BY THE TIME YOU HIT ANGLE TEN, YOU'RE GOING TO KNOW WHERE YOU'RE AT.
THEN WE DOVE INTO THE BANNER PROGRAM, WHICH IS THE RED DOTS ON THIS THING, AND WE WANT TO EXPAND WHAT ANGLETON ALREADY HAS.
NOW WE'RE LOOKING AT FROM 288 ALL THE WAY INTO DOWNTOWN AND PAST AND THEN AS WELL AS NORTHBOUND AND SOUTHBOUND VELASCO.
THEN WE DIVE INTO YOUR CITY FACILITIES AND LOOKED AT EVERY CITY FACILITY.
THIS IS WHERE WE WOULD PROPOSE DOING, WAS IT TYPE E I BELIEVE, AT EACH ONE OF THESE LOCATIONS, POLICE DEPARTMENTS, FIRE DEPARTMENTS, CITY BUILDINGS.
WE GO INTO FURTHER THERE AND THEN WE GO INTO MORE DEPTH WITH THE PARKS.
WE WANT TO DO THE SAME THING WITH THE PARK LOCATIONS.
EACH PARK IS ON HERE, THEY WOULD GET THEIR OWN SIGN.
ONLY DIFFERENCE WE CAN TALK ABOUT IT, DIFFERENCE BETWEEN A SIGN HERE AND A SIGN AT CITY'S FACILITY, WE RECOMMEND LIGHTING THE CITY FACILITY SIGNS.
THEN THE PARKS ARE UNLIT AT THIS TIME, BUT THEY CAN BE LIT WHETHER IT'S UP LIGHTING OR BACK CHANNEL LIGHTING LIKE THE OTHER SIGNS WE PROPOSE.
THIS WENT THROUGH AND LOOKED AT EVERYTHING WHERE EVERYTHING WOULD GO, AND THEN FROM THERE WE WERE ABLE TO DEVELOP A GENERAL LANDSCAPE PLAN WITH THE SIGN, WITH ALL THE MATERIALS AND OUR PLANT FILE.
THIS JUST SHOWS THE LOCATIONS WITH TYPE ASSIGNED.
THEY WOULD GET WHERE IT'S LOCATED, ADDRESS AND MISCELLANEOUS WHICH COVERS IF IT'S TXDOT RIGHT AWAY, CITY OWNED PROPERTY, COUNTY PROPERTY.
BASICALLY WHAT WE WANT TO DO HERE IS IDENTIFY WHO WE'RE GOING TO HAVE TO TALK TO MOVING FORWARD WITH EACH ONE OF THESE LOCATIONS, WHETHER WE HAVE TO GET A PARTNERSHIP, GO ON AND AGREEMENT OR JUST APPROVAL FOR THAT MATTER.
A LOT OF THIS OBVIOUSLY ALONG THE HIGHWAYS IS GOING TO BE TXDOT, WHICH WE HAVE WORKED WITH TXDOT A LOT ON A LOT OF OTHER PROJECTS DOING THE SAME STUFF.
THAT'S WHAT WE DID HERE TO GET THAT PROCESS STARTED, WHERE WE GOT TO GO.
[00:15:07]
THEN THE LITTLE LANDSCAPE PLANTS.ANY OPTIONS? OPTION A IS A 20-FOOTER, OPTION B IS YOUR 40 FOOTER.
THE REASON FOR THE TWO IS A LOT OF TIMES WITH HIGHWAY DEVELOPMENT RIGHT NOW, THIS IS ONE OF YOUR TYPICAL INTERSECTIONS COME IN THROUGH 288 ANGLETON.
THE HIGHWAY HASN'T BEEN MAXED OUT YET, BUT THEY'RE COMING DOWN, THEY KEEP COMING.
WHAT WE WANTED TO DO IS HAVE AN OPTION FOR BEING UP ON THE ROAD, WHICH WOULD BE YOUR 20 FOOTER AND THEN A 40 FOOTER WHICH WILL LATER SEE OFF THE ROAD WHERE THEY EXPAND THE HIGHWAY, AND THEY HAVE VERTICAL WALLS WHERE WE HAVE TO GET UP ABOVE THAT VERTICAL WALL TO SEE IT.
WE'LL SHOW A LITTLE BIT OF PLANTING UP HERE PURPLE.
THE COLORS THAT WE HAVE WE WANTED TO POP.
IT'S AN ENTRY SO WE WANT TO MAKE SURE NOTHING IS AROUND THE SIGN THAT'S GOING TO BE HIGH, LARGE GROWING, BUT WE WANT TO PUT A BACKGROUND BEHIND IT WITH THE TREES.
THAT WAY WHEN YOU'RE COMING DOWN, THAT'S REALLY WHAT YOU SEE.
THIS IS JUST A GENERIC IDEA OF HOW IT COULD LOOK.
THEN THIS IS YOUR 40-FOOTER YOU SEE THE LITTLE DOT WAY UP TOP CLOSER TO THE FRONT EDGE.
THAT WAY, IF THE HIGHWAY DOES COME IN, THE SIGNS ARE GOOD THEY'RE GOING TO STAY AND WE'LL JUST HAVE TO RIP UP SOME PLANT MATERIAL.
GIVES YOU AN OPTION OF, IF YOU DO THAT THE SIGN WILL BE ABOVE BECAUSE A LOT OF TIMES THESE VERTICAL WALLS ARE ANYWHERE FROM 15-25 FOOT TALL.
WHEN YOU'RE UP THAT HIGH IN A VEHICLE YOU'RE NOT GOING TO SEE THAT 20-FOOT MONUMENTS.
WE WANT TO SHOW WHERE THE 40-FOOT MONUMENTS WOULD GO.
WE DO SHOW THEM ON ALL FOUR CORNERS.
THAT WAY YOU SEE THEM FROM EVERY ANGLE, WHETHER YOU'RE ON THE FRONT EDGE, WHETHER ON THE THOROUGHFARE COMING IN TO 288 AND OBVIOUSLY ON 288 SOUTHBOUND AND NORTHBOUND.
FROM THERE, WE LOOKED AT A SMALLER VERSION INTERSECTION.
FOR INSTANCE, THIS ONE'S 35 BYPASS AND NORTH VELASCO, WHERE YOU HAVE A HEART THERE NOW, THE SAME SETUP.
WE WANT TO PUT ONE HERE, ANGLE IT TO WHERE YOU CAN SEE IT COMING INTO TOWN.
BUT SHOW YOU HOW THAT LANDSCAPE WOULD WORK WITH GRASSES, ORNAMENTAL TREES, SHADE TREES, GIVING IT A BACKDROP, THAT WHEN PEOPLE GET TO AN INTERSECTION, THAT SIGN IS THERE AND YOU KNOW WHERE YOU'RE AT.
THIS IS ANOTHER IDEA OF WHAT THAT COULD LOOK LIKE.
THEN YOU GO INTO WHERE YOU WOULD HAVE A CITY FACILITY SIGN.
FOR INSTANCE, THIS ONE'S RIGHT OUT FRONT WHERE WE WOULD PUT OUR CITY HALL SIGN THERE, AND OF COURSE YOU PUT THAT CITY HALL SIGN THERE YOU WANT TO MAKE SURE PEOPLE CAN SEE IT.
IT'S UP ON THE ROAD, WON'T IMPEDE TRAFFIC OBVIOUSLY, BUT AT SAME TIME YOU WANT TO MAKE IT POP.
WE'D DO A LITTLE BIT OF LANDSCAPE REDO, LOW GROUND COVER, COUPLE OF ORNAMENTAL TREES JUST TO MAKE THAT AREA POP A LITTLE BIT.
THEN OUR GRAPHIC IMAGERY, AND THIS IS WHERE MEGAN ADMISSION, WE'D SHOW THE BLACK LETTER AND THESE OPTIONS.
WE GOT RID OF THE PURPLE LETTER, THIS IS JUST THE BLACK LETTER WITH THE PURPLE BACK LEFT.
AGAIN, IF THE HIGHWAY IS NOT GOING TO DEVELOP FOR WHO KNOWS HOW LONG, IT'LL BE UP ON THE HIGHWAY THERE, OBVIOUSLY LANDSCAPE.
AGAIN, THIS IS STILL YOUR 20-FOOT, IT'S HARD TO SEE ON THE SCREEN FROM HERE, BUT THIS ONE DOES HAVE BLACK LETTERING.
THIS ONE'S A LITTLE DARK. THERE YOU GO.
THE BLACK DOES POP AGAINST THAT CREAM LIMESTONE, AND NIGHT VIEW WE WOULD DEFINITELY HAVE A BACKLIT THAT WAY IT'S ALWAYS SEEN.
THEY WILL HAVE UP LIGHTS AS WELL, SO YOU CAN SEE THE BOTTOM HALF OF THE MONUMENT WITH THE HEART.
THIS IS A NIGHT VERSION OF A 20-FOOT.
IT IS BLACK LETTERING WITH THAT PURPLE BACKLIT.
WE WANTED TO LOOK AT THE SIDE OF THAT AND REALLY MAKE THAT POP.
WE HAVE PURPLE LIGHT THERE, WELL, PAINTED, BUT YOU CAN CHANGE IT OUT FOR PURPLE IF NEED BE.
AGAIN, THESE WOULD HAVE APPLIED AS WELL SO YOU CAN SEE THAT HEART A LITTLE BIT BETTER.
THIS ONE, SINCE IT IS 40-FOOT JUST TO REMIND, WE CAN'T HAVE WORDS ABOVE 20-FOOT WITHIN TEXTS OUT RIGHT AWAY.
HERE THE OPTION IS A LITTLE DIFFERENT, THE HEART GOES UP TO THE TOP.
WE STILL DO THE SAME LIGHTING.
[00:20:12]
THESE LAST COUPLE OF IMAGES, ONE'S MAGNOLIA STREET, ONE'S ORANGE STREET.WHAT WE DID HERE IS WE TOOK THE ENTIRE FAMILY, THE BANNERS, THE LIGHT POLE, THE SMALL PEDESTRIAN SIGNAGE, AND DID A STREET VIEW TO SEE HOW THAT WOULD LOOK.
THIS ONE I BELIEVE IS AT THE CHAMBER.
WE ADDED THE STREET BANNER POLLS, THE SIGNS JUST TO SEE WHAT IT WOULD LOOK LIKE, AND THEN WE DID ONE FOR ORANGE STREET AS WELL.
SAME THING, BANNERS, YOUR POLLS, YOUR SIGNAGE AND THEN THE CITY HALL RIGHT THERE ON THE RIGHT.
AT THE VERY END WE HAVE JUST A GENERIC, NOT GENERIC PRICE FOR EACH ONE OF THESE.
OBVIOUSLY, WE CAN LOOK AT WHERE THE BUDGET IS, WHERE THE BUDGET NEEDS TO GO, AND HOW WE WANT TO START THIS.
DO YOU START SMALL? DO WE DO THE BIG ONES? IT GIVES YOU AN IDEA OF ROUGH COST OF WHAT WE'RE SEEING RIGHT NOW IN TODAY'S ECONOMY.
WE WANTED TO GIVE THAT AS AN ADDED BONUS, I GUESS.
>> NOW WE'D REALLY JUST LIKE TO OPEN IT UP FOR COMMENTS AND QUESTIONS.
WHAT WE'RE LOOKING FOR THIS EVENING, BECAUSE THIS IS THE FINAL DRAFT, WE'RE LOOKING FOR DIRECTION FROM KAB REGARDING THE COMPONENTS THAT WERE LISTED, SPECIFICALLY THE ONES THAT HE MENTIONED COULD CHANGE.
FOR INSTANCE, ARE YOU IN FAVOR OF THE PURPLE LETTERING AND THE SIGNAGE FAMILY.
WE CAN GO BACK TO THAT IMAGERY AS WELL.
ARE YOU LIKING THE PURPLE PANEL ON THE LARGE A AND B SIGNS? WOULD YOU PREFER THAT BE THE SANDSTONE ALL THE WAY AROUND, IF YOU LIKE THE PURPLE, DO YOU WANT IT TO BE PAINTED OR LET ARE LIGHTED FEATURE AND SO THOSE ARE THE KINDS OF THINGS THAT WE'RE LOOKING FOR SO THAT WE CAN TAKE THIS TO CITY COUNCIL AS A KAB RECOMMENDATION FOR ADOPTION ON AUGUST 10TH.
>> BUDGET WISE, IS THERE A DIFFERENCE IN THE COST AND WHETHER YOU DO THE PAINTED?
>> THAT'S A GOOD QUESTION. THE OTHER THING TO THINK ABOUT TOO IS LONG-TERM MAINTENANCE.
IF WE'RE THINGS LIKE THAT MAY FADE, WE'RE GOING TO HAVE TO LOOK AT MAINTENANCE AS WELL.
>> ON YOUR QUESTION, IT DEPENDS ON WHAT ROUTE YOU GO.
IF YOU TAKE THAT METAL PAINTED METAL OUTPUT AT STONE, I MEAN, YOU WON'T HAVE TO DO MUCH MAINTENANCE WISE DOWN THE ROAD STONE BESIDES JUST CLEANING IT EVERY NOW AND THEN.
IF YOU PUT LIGHTING, THE MORE LIGHTS WE HAVE, I MEAN, LIGHTS DO GET PRETTY EXPENSIVE.
BUT YEAH, THERE'S GOING TO BE A SLIGHT PRICE DIFFERENCE, I WOULD IMAGINE BETWEEN THE TWO BECAUSE ONE, YOU JUST PUT THE STONE UP AND JUST LIGHTING IT.
THEN THE OTHER ONE MAINTENANCE, YOU WOULD HAVE TO GO BACK AND TOUCH IT UP EVERY SO OFTEN.
THERE'S ITEMS YOU CAN CLEAR COAT OR YOU CAN PUT A COATING OVER IT TO KIND OF HELP MINIMIZE THAT BUT EITHER WAY, IT'S GOING TO SHIFT THE PRICE SLIGHTLY.
I WOULDN'T SAY, IT WILL BREAK THE BANK, NO.
BUT IT WOULD CHANGE THE PRICE A LITTLE BIT DEPENDING ON WHAT ROUTE YOU WOULD GO.
>> DO YOU GUYS HAVE A PREFERENCE? SOME OF THE QUESTIONS THAT I THINK WE SHOULD REALLY TAG ON TO OR WE NEED TO ADDRESS RATHER ARE THE COLOR OF THE LETTERING.
IF THIS GROUP HAS A CONSENSUS ON WHETHER OR NOT THAT SHOULD BE BLACK WITH BACKLIGHT, PURPLE BLACK LIGHTING OR IF IT SHOULD BE PURPLE AND WITH THAT PURPLE OPTION, IS IT ALSO BACKLIGHT OR IS IT JUST OKAY? IF YOU WANT IT BACK LIT AT ALL, WE NEED TO DECIDE THAT, WE NEED TO DECIDE THE COLOR OF THE LETTERING FOR A RECOMMENDATION, WE WOULD NEED TO DETERMINE ON SIGNAGE A AND B IF WE WANT THE PURPLE PAINTED METAL STRIP.
THEN WE CAN ALSO DISCUSS THINGS LIKE WHAT WAS MENTIONED IN THE IMAGERY, IF YOU WANT UP LIGHTING ON SOME OF THOSE THINGS SO THAT YOU CAN SEE IT.
[00:25:01]
ANOTHER QUESTION IS OR THAT I HAVE IS ON THE SMALLER SIGNAGE, THE VINYL LETTERING.DO YOU WANT VINYL LETTERING OR ARE YOU WANTING SOMETHING DIFFERENT? DO YOU WANT THAT LIKE WHAT WAS PRESENTED WITH THE BLACK SIGNAGE FAMILY? WE STILL HAD SOME PURPLE ON SOME OF THOSE.
DO YOU WANT THEM ALL TO BE BLACK? DO YOU WANT TO KEEP THE PURPLE ON THE WAYFINDING? [OVERLAPPING] THEY'LL PROBABLY STILL CHANGE SEASONALLY IF WE WANT TO DO SOMETHING FOR SPRING OR FALL OR CHRISTMAS, THEY MAY CHANGE BUT HAVING THE PURPLE ACCENTS OR EVEN SAYING AS A GROUP OR GATEWAY MASTER PLAN THAT WE WANT TO HAVE STREET SIGNS THAT ARE PURPLE.
I MEAN, THOSE ARE ALL THINGS THAT THIS WILL HELP ESTABLISH MOVING FORWARD.
>> THE WHOLE CONCEPT IS REALLY NICE AND A GREAT JOB.
PERSONALLY, I LIKE THE BLACK LETTERING WITH THE PURPLE LIGHTING BUT EITHER WAY, THEY'RE BOTH NICE SO IT'S ONE OF THE MAJORITY.
>> I THINK THE BLACK LOOKS A LITTLE MORE PROFESSIONAL.
>> I'LL JUST SHARE SOME COMMENTS.
I ACTUALLY SENT THIS OUT TO THE SENIOR ANGLED 10 LEADERSHIP TEAM AND ASK THEM FOR INPUT BECAUSE YOU GUYS KNOW ME, I HAVE AN OPINION ALMOST IMMEDIATELY.
RATHER THAN SAYING WHAT I HAD THOUGHT, I SAID, I'D REALLY APPRECIATE YOU ALL'S FEEDBACK.
WE HAD MINIMALLY THREE PEOPLE SAY THEY REALLY LIKED THE PURPLE.
THEY THOUGHT THAT IT WORKED WELL, ESPECIALLY WITH THE GRAYS AND IT DOES.
IT REALLY DOES A GREAT JOB OF THAT.
HOWEVER, TWO, WE HAD SOME FOLKS THAT USE THAT WORD EXACTLY THAT THE BLACK LOOKS MORE PROFESSIONAL ESPECIALLY DURING THE DAY TIME.
IT STILL FITS WITHIN THE BRANDED COLORS.
THE CONCERNS THAT I HAVE AND I REMEMBER I THINK IT WAS C. SOLE MENTIONED AT THE CITY COUNCIL MEETING WHEN WE PRESENTED THIS.
HE'S CONCERNED ABOUT THE PURPLE FADING AND SO THAT'S JUST SOMETHING THAT WE NEED TO BE AWARE OF FROM A MAINTENANCE STANDPOINT.
IF WE'RE IN A CONSENSUS THAT WE WANT TO KEEP SOME OF THE PAINTED PURPLE WE CAN DO THAT.
WE'RE JUST GOING TO HAVE TO REALLY DEVELOP A STRONG PREVENTATIVE MAINTENANCE PLAN FOR THAT SO THAT IT STAYS THAT WE HAVE ALL THE SAME COLOR PURPLE THROUGHOUT.
THAT'S ONE OF THE THINGS THAT I WANT TO MAKE SURE.
>> THAT PURPLE IS GOING TO FADE TO A PINK.
>> YEAH. IF WE HAVE A SANDSTONE ON THAT SIDE, BUT AT NIGHT IT LIGHTS UP HAS THAT BACKLIT PURPLE.
THE PURPLE AND OUR BRANDS COULD BE THAT THE DETAIL OR THE ACCENT COLOR, IF YOU WILL, THROUGHOUT TOWN.
WHETHER THAT'S ON OUR BANNERS, OUR STREET SIGNS, THE BACKLIGHTING, [INAUDIBLE] RIGHT.
BUT AGAIN, I WILL NOTE THAT THE DESIGN TEAM MENTIONED PURPLE WORKS REALLY WELL TOO WITH THE LETTERING AND WE HAD SUPPORT FROM STAFF AS WELL THAT NOTED THAT THEY APPRECIATED THE PURPLE SO I REALLY THINK THAT YOU CAN'T GO WRONG EITHER WAY.
THEY DID A GREAT JOB WITH THE DESIGN SO WHATEVER YOU ALL FEEL IS YOUR RECOMMENDATION COUNCIL WILL ULTIMATELY IMPROVE OR ADOPT THE PLAN.
BUT THIS IS YOUR PROJECTS, SO I DEFINITELY WANT YOU GUYS TO BE ON BOARD AND SUPPORTIVE.
FOR THE LETTERING, IS THE DIRECTION TO GO WITH BLACK LETTERING AND BACKLIT LIGHTING OR DO YOU STILL WANT TO HAVE SOME DISCUSSION ABOUT THE PURPLE VERSUS BLACK?
>> I PERSONALLY LIKE THE BLACK BECAUSE WITH THE PURPLE LIGHTING, WE'RE GOING TO HAVE A LOT PURPLE.
>> THEY ARE GOING TO SEE THE PURPLE ONCE THEY COME INTO TOWN.
>> I THOUGHT THE BLACK FOR SURE.
>> WITH THE PURPLE BLACK LIGHTING?
>> WITH THE PURPLE BACKLIGHTING.
I THINK IT'LL LOOK NICE AT NIGHT.
>> RIGHT. THEN WHAT DO YOU GUYS THINK ABOUT ON SIGNAGE A AND B, THE LARGE MONUMENT STATION.
DO YOU WANT THAT TO BE A PAINTED PURPLE? WOULD YOU LIKE THAT TO BE A LIGHTING FEATURE OR WOULD YOU LIKE THAT TO JUST BE THE SANDSTONE?
>> MY CONCERN IS WELL, OF COURSE,
[00:30:03]
THE PAINTING THAT IS GOING TO FADE SO I KIND OF LIKE THE SANDSTONE IDEA, BUT ON THE ONE THAT DOES NOT HAVE ANGLETON ON IT, IF WE HAVE TO GO WITH SOME OF THOSE OPTIONS, THAT'S A LATER ON DOWN THE LINE, WOULDN'T IT BE YOUR SIDE OF THE ROAD? ANIONS? THAT'S ON SLIDE 44.IF YOU JUST HAVE THE C INSTEAD ALL THE WAY AROUND AND THE HEART, WILL THERE REALLY BE ANYTHING LIT OR PURPLE ANYWHERE?
>> YES. ON THE 44, THIS IS ONLY IF THE HIGHWAY DOES GET DEVELOPED TO WHERE WE HAVE TO GET THAT TALL.
I WOULDN'T SAY WE HAVE TO DO THAT NOW.
I'VE LOOKED AT TEXTILES FUTURE PROJECTS, I DON'T SEE ANYTHING WITHIN THE NEXT 10 YEARS.[OVERLAPPING].
WE'VE FOUND OUT WITH TEXTS OBVIOUSLY THE 24 OR HAS A HAMILTON ON IT.
WE CAN'T PUT WORDING SO THESE BECOMES SCULPTURAL LIKE AN ART PIECE, SO THEY CAN'T HAVE WORDING ON IT AND THAT'S WHY WE HAD TO ELEVATE THAT HEART UP THERE BUT DEFINITELY WE COULD ALSO PLAY WITH THE COLORING OF THIS TWO IF WE GET RID OF THAT CENTER STRIPE PURPLE.
WE CAN LOOK AT WHERE WE CAN ADD PURPLE, WHETHER WE ADD NOTHING BUT PURPLE LIGHTING ON THIS ONE.
WE CAN ALWAYS PLAY WITH LIGHTING.
LIGHTING IS VERY FLEXIBLE, ESPECIALLY NOWADAYS BUT WE CAN DEFINITELY TAKE A LOOK AT THAT.
>>ALSO 40-FOOT, A MAJOR ENTRANCE SO THOSE COULD BE DIFFERENT AND STAND OUT AND THE OTHERS COULD BE JUST A SOLID.
>> YES, WE WOULD ONLY RECOMMEND THESE ALONG 288.
YOU'RE NOT GOING TO SEE THESE IN TOWN.
THE SCALE IN TOWN IS NOT THERE FOR IT.
>> I'M THINKING OF A SANDSTONE TOO.
I WAS DOING A FINGER UP AGAINST IT JUST TO SEE HOW IT LOOKS WITH AND WITH OUT.
I THINK IT JUST LOOK JUST FINE WITHOUT.
>> AN OPTION HERE TOO, IF WE GET TO THIS POINT WHERE THERE IS EXPANSION, WE CAN REVISIT THE PURPLE ACTUALLY BEING A LIGHTING FEATURE AND NOT A PAINTING.
THAT COULD DURING THE DAY, CORRECT ME IF I'M WRONG I DON'T REALLY KNOW, I'M JUST ASSUMING THAT WE COULD DO HOW THERE'S THOSE LIKE THEY'RE ALMOST LIKE WHITE PANELS, BUT THEN AT NIGHT, IF THE LIGHT WAS LIGHTING IT, IT BECOMES PURPLE AND SO IT COULD TECHNICALLY LOOK LIKE A NICE CLEAN DURING THE DAY BUT THEN AT NIGHT YOU SEE THAT OR JUST LIKE HE SAID TOO EVEN THE APP LIGHTING RATHER THAN HAVING IT BE WHITE, IF IT WAS A FULLY SANDSTONE STRUCTURE, THEN THE UP LIGHTING COULD POTENTIALLY BE PURPLE.
>> THE PURPLE COLOR, WOULD THAT BE IT? I GUESS THAT QUESTION IS, CAN YOU SEE THAT? WITH THE PURPLE?
>> IT WOULD BE. A LOT OF TIMES, A LOT OF THESE, ESPECIALLY THESE NEW LEDS, AS LONG AS WE GET THE RIGHT HARD-DRIVE AND THE MUSCLE FOR IT, THEY ARE INTERCHANGEABLE, SO WE KEEP SAYING PURPLE, BUT A LOT OF THESE, YOU CAN CHANGE THEM.
YES, THERE'S GOING TO BE ENOUGH.
ALSO, YOU COULD DO LED CHANNELS.
YOU CAN GO OUTSIDE, UP LIGHTS, AND THERE'S SO MANY DIFFERENT OPTIONS YOU CAN DO FOR LIGHTING ON SOMETHING LIKE THIS.
RECENTLY I GOT A 12 BY 12 LED MATT.
IT'S NO HEAVIER THAN A SHEET OF PAPER, AND IT'S GOT 100 LEDS ON IT THAT YOU CAN STICK ANYWHERE WHERE SOMETHING LIKE THAT COULD WORK HERE TOO, OR YOU CAN STICK IT BEHIND OPAQUE PIECE OF ACRYLIC TO GET THAT IDEA ACROSS.
IT DOESN'T HAVE TO BE PAINTED, IT DOESN'T HAVE TO BE A STONE, BUT THERE'S SO MANY OPTIONS TO PLAY WITH LIGHT ON.
SO TAKING AT CENTER PURPLE, AWAY FROM PAINTED ALUMINUM OR A PAINTED METAL OR WHATEVER AND PUTTING A LIGHT STRIP THERE, WE COULD DO ONE OF THAT.
>> ARE YOU GUYS SAYING SANDSTONE STRUCTURE FOR THE TYPE A AND POTENTIALLY B, WE MIGHT NEED TO CLARIFY STRUCTURE B.
THIS IS CONSIDERED STRUCTURE B.
I LIKE THE LIGHTING ON THE 40 FEET.
BASICALLY THAT'S OUR ENTRANCE LINE.
THINK ABOUT IT. WE PROBABLY DON'T HAVE TO EVEN DEAL WITH THAT.
>> EXACTLY, AND SO SIGNAGE TYPE A FULLY SANDSTONE.
NO? IS THAT WHAT YOU-ALL ARE SAYING?
>> THEN THE OTHER QUESTION WAS, CAN WE GO BACK TO THE SIGNAGE FAMILY WHERE WE HAVE THE BLACK SO THEY CAN SEE
[00:35:03]
THE PURPLE OPTIONS ON WAYFINDING.>> YES, THAT IS ACTUALLY JUST ON THE OPPOSITE SIDE.
THIS IS 120 SHENANGO, AND SO IT'S ACTUALLY JUST THE FRONT ENTRANCE OF THIS BUILDING.
YES, MA'AM. [LAUGHTER] HERE WE HAVE, IT IS SIGNAGE.
IS THAT D AND F? SO YOU HAVE, I CALL IT WAYFINDING.
I MAY BE SAYING THAT INCORRECTLY, BUT THAT IS PURPLE LETTERING OR ARE YOU COMFORTABLE WITH PURPLE VINYL LETTERING? ARE YOU WANTING THAT TO BE BLACK ALSO? WHAT IS YOUR PREFERENCE?
>> I PERSONALLY LIKE THE PURPLE [INAUDIBLE].
>> SIGNING THAT'S ILLUMINATED BEHIND IT OR IS IT JUST BLACK?
SO THAT WOULD BE SOMEWHERE TO THE ANGLETON SIGN, SO IT'LL BE THE SAME TYPE OF LETTER WITH THE BACK THING.
>> SO WE NEED BUILDING THAT HAS A SIGN LIKE THAT.
IT WOULD HAVE SOME PURPLE LIGHTING?
>> THEN WHAT THEY HAD MENTIONED TOO IS ON THEIR OPTIONS FOR E, LIKE IN YOUR PARK SYSTEM WHERE IT WOULDN'T BE BACK-LIT, SO WE SPECIFIED THAT THERE'S TWO TYPES FOR TYPE E. THERE'S BACKLIT AND NON-LIT, AND SO THE BUILDINGS IS WHAT WE REALLY FOCUSED ON HAVING BACKLIGHTING.
DO WE HAVE A CONSENSUS ON THE COLOR FOR D AND F? [BACKGROUND]
>> I PERSONALLY LIKE THE PURPLE.
[BACKGROUND] WE'RE LOOKING AT BLACK.
>> WHAT DO YOU HAVE AS OPTIONS?
>> BROUGHT THE PICTURE OF THE CHAMBER TO SEE WHAT LOOKS TOGETHER.
>> ONCE YOU GET THAT STREET SIGN, IT'LL GIVE IT A LITTLE BIT OF POP, THAT PURPLE, AND I THINK THAT'LL MAKE A LOT OF PEOPLE HAPPY IF THEY SEE THE PURPLE.
>> THEN, KEEP THE BLACK ONE, A AND E. IS THAT RIGHT?
>> THAT PURPLE LIGHTING. HEATHER, WHAT DO YOU THINK? ARE YOU COMFORTABLE WITH THE PURPLE ON THE B AND A?
>> IS THERE ANYTHING ELSE THAT YOU FELT WE NEEDED TO ADDRESS TO MAKE SURE WE HAVE A FINAL? [BACKGROUND] DID YOU GUYS HAVE ANY OTHER COMMENTS OR QUESTIONS OR THINGS THAT YOU FELT NEEDED TO BE ADDRESSED?
>> YES, I KNOW. [LAUGHTER] JUST TO RECAP, THE KB RECOMMENDATION FOR THE GATEWAY MASTER PLAN WOULD BE TO HAVE BLACK LETTERING WITH PURPLE BACKLIGHTING ON A AND E SIGNS.
TO HAVE PURPLE LIGHTING ON THE 40-FOOT SIGN, WHICH IS B.
FULLY SANDSTONE, NO PURPLE STRIPE, AND ON D AND F HAVING PURPLE LETTERING.
DOES ANYONE WANT TO MAKE THAT IN THE FORM OF A MOTION? NOT THAT YOU HAVE TO REPEAT IT.
>> WE DON'T HAVE TO REPEAT IT? I MAKE A MOTION THAT WE TAKE
[00:40:04]
THE SUGGESTED LETTERING COLORS AND SIGNAGE PROPOSED AND WE BOARD WITH THAT. [LAUGHTER]>> PERFECT. IS THERE ANY MORE DISCUSSION? ALL THOSE IN FAVOR SAY AYE.
>> ANYONE OPPOSED? THANK YOU LADIES SO MUCH.
WE'LL TAKE THAT TO CITY COUNCIL ON AUGUST 10TH.
>> ON THIS ONE, AROUND THE HEART.
IS THERE ANY LIGHTS AROUND THE HEART? BECAUSE ON THAT ONE IT LOOKS LIKE THERE'S LIGHT.
>> LIKE BACKLIGHTING OR SOMETHING?
>> YES, AND THEN ON THE NEXT ONE WITH THE PURPLE LETTERING, IT LOOKS LIKE THERE'S LIGHTS ALL THE WAY AROUND IT.
I WAS JUST CURIOUS IF THERE WAS LIGHTS AROUND IT.
>> LIKE IF YOU GO TO THIS SIGN AND THEN BRING IT WHERE YOU GO TO THE NEXT SIGN ALSO?
>> NEXT SIGN THAT HAS THE PURPLE LETTERING.
>> THAT'S AN OPTION. THAT CAN BE AT THE BACK LIGHT, LIKE THE LETTERS.
SO WHEN THE HEART IS SHOWN ON THE STONE, IT WILL HAVE THAT BACK LIT ON THE STONE, BUT WHEN IT'S OFF THE STONE YOU WON'T BE ABLE TO SEE THE LIGHT.
WE COULD ALSO REMOVE THE LIGHT ALTOGETHER ON THE HEART.
>> I WAS JUST WORRIED BECAUSE YOU SEE IT, SOME OF IT IS OFF THE STONE OR BOTH OF THEM AND IT'S LIT ALL THE WAY AROUND.
ON THE ONE HAND ON THE [INAUDIBLE].
>> CHERYL, WHAT PAGE ARE YOU ON?
>> TWENTY SIX. PART OF THAT HEART IS LIT, BUT THE PART THAT'S NOT ON THE STONE IS NOT.
THEN ON THE OTHER ONE, IT'S LIT ALL THE WAY AROUND, EVEN IF IT'S NOT ON THE STONE.
>> IT WOULDN'T BE ALL THE WAY AROUND. IT WILL BE HOW IT IS ON PAGE 15, WHERE IT'S CUT OFF AT THE SIDE OF IT.
>> BECAUSE WHAT IT'S DOING IS REFLECTING IT OFF AT THE SANDSTONE.
BECAUSE IT'S OFF, IT WOULD JUST BE LIKE GOING INTO FREE SPACE, RIGHT? I'M ASSUMING THAT'S WHY YOU WOULDN'T BE ABLE TO SEE.
BUT THAT IS AN OPTION IF YOU REMOVE ON SIGNAGE B IF YOU DIDN'T HAVE THAT PURPLE STRIPE OR LIGHTING CONCEPT, THEN WE COULD BE BACKLIGHTING THE HEART.
>> IT DIDN'T CHANGE MY THOUGHTS.
>> I THINK, TOO, BECAUSE LIGHTING STILL SEEMS LIKE A QUESTION FOR OPTION B BECAUSE IT'S FURTHER ON DOWN THE LINE, WE CAN ASSESS THAT AT THAT TIME, WHAT WE WANT THAT LIGHTING TREATMENT TO BE ON THAT SIGN.
THANK YOU LADIES SO MUCH. THAT IS IT.
>> 6:17 MEETING ADJOURNED.
* This transcript was compiled from uncorrected Closed Captioning.